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FORTY YEARS' PEACE. |
IOI |
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instrumental solo (clarinet, horn or flute), whilst the " divertimento " was a kind of " suite." Most of this music, I am inclined 'to think, came from France, as nearly all the specimens I have seen were published by Bisch, Paris, although a few bore the imprint of Bland, London.
Beethoven's military band scores, written a little earlier, are valuable for comparison here. I select his smallest and largest combinations: |
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These give us an idea of German bands of the period.
It appears, however, from a letter of Beethoven's to Peters, the publisher (302 in the Wallace Collection) in 1823, that the composer thought his military band compositions would very likely be beyond the scope of German regimental bands, and suggests that some bandmaster be employed to arrange them for a smaller number.
Looking at the old time wind instruments in our museums, noting the primitive key mechanism of the wood wind, and the imperfect scale of the brass family, |
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